![]() ![]() The new issue of Broken Arrow has now hit the streets. ![]() As always a nice read - especially as we look back while looking ahead.Īnd - thanks to the generous support of NYAS and editor Scott Sandie - we're pleased to be able to offer a free copy of the latest issue of Broken Arrow Magazine to a Thrasher's Wheat reader. The latest issue of Broken Arrow Magazine, published by the Neil Young Appreciation Society recently hit the streets and we're now finishing up reading the issue. It’s the same kind of show Jonathan Demme documented in the 2012 concert film “Neil Young Journeys.” The 2½-hour show, which included a 30-minute intermission, stretched across his career, hewing closely to the songs he’d played in New York, yet still brimming with his signature sense of spontaneity, of mercurial artistry alive in the moment, that makes Young such a hallowed figure to so many. Without a word of introduction, Young sauntered on stage, grabbed a guitar and - as he did at Carnegie Hall in January - delivered his theme statement in the form of the song “From Hank to Hendrix” from his 1992 album “Harvest Moon”: It’s as if it reconnects him with the musical and spiritual foundation of his art, stripping the process back to its fundamental components of one person, one instrument and a muse. If You Could Read My Mind (Gordon Lightfoot)įrom Review: Neil Young on the rock pulpit at Dolby Theatre - by Randy Lewis:įor Young, too, there seems to be a ritualistic aspect of his periodic return to the solo acoustic format of his live shows, alternating with high-decibel sessions with Crazy Horse or the various other settings he’s explored over what’s fast approaching a half-century career. Setlist by Sweet Joni via comment by Cathy: OK, color us stunned on the setlist - 1st performance of "Thrasher" in 36 years. ![]() Neil Young, Los Angeles, CA - Saturday, March 29, 2014 ![]()
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